Whole generations of rappers began defining the pace and terms of their ascent outside traditional albums. Eventually, these samizdat drops - be they in the form of DatPiff downloads or SoundCloud links - took on the qualities of official releases. In so doing, he marked the beginning of the second wave of the modern mixtape era, in which artists began to wrest control of the pacing of their output from the hands of record labels, who preferred neat album cycles. Each year brought several dozen new songs, a sign of an artist obsessed with sound, and also with his own freedom to create. Back in the mid-late 2000s, when Lil Wayne used to refer to himself as the “greatest rapper alive,” music flowed forth from him like a geyser.
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